Portrait of Blaise Cayol.
Portrait of Blaise Cayol. · Sam Walton / Hole & Corner · Headshot source page for Blaise Cayol · Headshot image for Blaise Cayol

Profile

Background

Cayol has developed the practice over more than two decades through largely self-directed study, traveling to learn regional techniques and maintaining close contact with older basket traditions. He works from Tavel in the Gard and has also developed woven garden/landscape structures, installations and teaching.

Central to the practice is his view that baskets historically answered concrete needs—harvesting, storing, carrying, delivering and sheltering—and his continued use of raw, minimally standardized plant material. More recently he has planted and maintained his own willow and other weaving plants.

Boundary

Cayol also makes environmental installations, sculptural baskets and landscape commissions.

Work over time

  1. First visit to the International Folk Art Market Says he first visited the International Folk Art Market in Santa Fe in 2011 and has returned every year since; Hole & Corner reports six appearances there as an artist. · Santa Fe, New Mexico, United States [2]
  2. Studio Open Began planting a willow nursery and building a new studio, with daily care of two acres of forest for weaving plants. [5]
  3. Teaching Led a basketry workshop (round cherry basket) for the Osier Cadenet association. · Cadenet, France [6]

Collections

  • owned holding — Mathers Museum of World Cultures, Indiana University: Two of his baskets, obtained around the 2015 International Folk Art Market, in the museum's collection of contemporary European objects. [7]

References